museum & social media – Geschichte & Geschichten

#differenceMW: Networking then and now – Europe means to me …?

Veröffentlicht am 29. April 2018 von Museum Burg Posterstein29. April 2018

In 1815, after the disastrous Napoleonic Wars, the Congress of Vienna brought decades of peace and stability to Europe. By comparison, this can also be said of the European unification, the political change in 1989 and the overcoming of European division after World War II. After the euphoria of the 1990s, when Europe stood for growth and stability in the eyes of many citizens, the situation changed at the latest with the 2007-08 financial crisis. Today it seems, that under the influence of terror, refugee crisis and populism, scepticism towards Europe prevails. To make matters worse, many equate the European project with crusted bureaucratic EU structures. At the last day of this year’s #MuseumWeek with the subject #differenceMW we want to write about different views on Europe, today and back then – and about a very experimental exhibition project.

Auch in der Zeit zwischen Aufstieg und Fall Napoleons und Wiener Kongress befand sich Europa im Umbruch. Ein Portrait Anna Dorothea von Kurlands, von Grassi.

Even in the period between the rise and fall of Napoleon and the Congress of Vienna, Europe was in transition. A portrait of Anna Dorothea of Kurland, by Grassi.

Visions are needed to give Europe an identity for its citizens and the ability to act in the world, because we are living in Europe and have to get along with each other, whether we like it or not.

Towards the end of the last century, the Balkan wars demonstrated vividly, how quickly peace can be lost inside a union or a single country.

So everyone should contribute to politics, economics, art, culture. Only when dialogue takes place with respect for other opinions can future-oriented solutions be found. Communication needs proximity and proximity has to be promoted. The salon had this human proximity and holds the potential to achieve it today. Let’s pick up the salon culture actively and transport it into here and now.

Anna Dorothea of Courland – a confident European woman

Tsar Alexander I. came to Löbichau in 1808.

Between 1795 and 1821 relationships had been established over European borders in the small Thuringian villages of Löbichau and Tannenfeld. Two centuries ago, the beautiful and educated Duchess Anna Dorothea of Courland (1761-1821) headed a famous salon and, together with her daughters, establishing a network of contacts into the highest political circles of Europe. Amongst others, her network partners included Tsar Alexander I. (1777-1825), Friedrich Wilhelm III. (1770-1840), Talleyrand (1754-1838) and Metternich (1773-1859). The network reached from Löbichau out to St. Petersburg, Warsaw, Berlin, Paris, Rome and Vienna, to Russia, Poland, France, Italy and Denmark.

Schloss Löbichau, Ansichtskarte von 1904 (Museum Burg Posterstein)

Löbichau Castle, postcard from 1904 (Museum Burg Posterstein)

This salon of encounter and exchange was one of the most famous of its kind at the beginning of the 19th century. In this salons, often led by a lady, contacts were made and political decisions were initiated – accompanied by music, theater and tea, salons were one of very view possibilities for women to participate in society. Countless letters document this time. If people like Anna Dorothea of Courland would have had the possibilities of today’s social media, they certainly would have been among the “influencers” of their time.

The exhibition “#SalonEuropa analog meets digital“

The exhibiton is designed as a laboratory. Based on the historic salon culture around 1800, it is supposed to create a relation to the present time and current political situation. As the poet Jean Paul acknowledged, everyone in the salon of the Duchess of Courland was free to express his opinion as long as it was presented in a courteous manner.

Die Ausstellung #SalonEuropa: Vor Ort und digital versteht sich als Labor. Besuchern und uns selbst stellen wir die Frage: Was bedeutet Europa für uns selbst?

We see the exhibition #SalonEuropa: Networking then and now – Europe means to me …? as a laboratory. We ask the question: what does Europe mean to us?

Similarly, visitors of the #SalonEuropa Laboratory will be given the opportunity to express their thoughts on Europe today, both in analog and digital form. A screen in the exhibition and the exhibition’s website display different opinions on Europe in videos, commentaries and blog posts. Comments can be entered directly in the exhibition and will be visible on the Internet after approval. We aim to bring together as many opinions as possible on the website, which in this way are visible in the exhibition.

We are looking for opinions and photos of Europe for the exhibition!

Pictures and photographs of European places and cities around 1800 and today (in Latvia, Poland, Austria and France) will connect the exhibition to the There and Now. On a work table plans for a centre of historic salon culture at Posterstein Castle will be shown. Several events will accompany the ehibition.

We are looking for photos of European places today and people who express their opinion on the question “Europe means for me …?”, which would be represented in the exhibition in one form or another. Feel free to contact us on the social networks, by mail or in person.

Über ein Vierteljahrhundert wetteiferte alles, was in Europa Rang und Namen hat, darum, vom illustren Diplomaten Talleyrand in Valençay empfangen zu werden. Nach dem Wiener Kongress und der Rückkehr der Bourbonen zog sich Talleyrand mit der jüngsten Tochter der Herzogin von Kurland, Dorothée, auf Schloss Valençay zurück.

Historical and present-day views of places in Europe are to play a role in the exhibition #SalonEuropa – for example Castle Valençay, France: For 200 years ago important people in Europe competed to be received by the illustrious diplomat Talleyrand in Valençay. Following the Congress of Vienna and the return of the Bourbons, Talleyrand retired to Castle Valençay with the Duchess of Courland’s youngest daughter Dorothée.

By Klaus Hofmann, translation: Franziska Engemann / Museum Burg Posterstein

#PeopleMW: Romantically minded minister of Saxe-Gotha-Altenburg burried under a 1000 year old oak

Veröffentlicht am 29. März 2016 von Museum Burg Posterstein21. Januar 2017

It’s #MuseumWeek on Twitter and in other social networks. Today’s slogan is #peopleMW. Posterstein Castle focusses this year on Hans Wilhelm von Thümmel (1744–1824), a minister of the Duchy of Saxe-Gotha-Altenburg, who chose himself a very special burrial plot.

Hans Wilhelm von Thümmel (Museum Burg Posterstein)

Starting his carrier at court in Gotha as a “page” in 1760, he became minister in 1805. Between 1803 and 1808 he was – with diplomatic mission – travelling to Denmark, Berlin, Königsberg (Kaliningrad), Dresden and Paris. In Paris Napoleon received him in audience.

As a friend of Duke Ernst II of Saxe-Gotha-Altenburg (1745–1804) Thümmel’s influence on court was huge. Today he is still known for his engagement in the county of Altenburg: He founded one of the first banks, supported the building of roads, mapped the region and founded the local hospital in Altenburg. In Thümmel’s house in Altenburg the local high society met for tea, among others his older brother, the writer Moritz August von Thümmel (1738–1817).

Thümmel’s old-age residence close to Posterstein

Minister with sence for poetry: Thümmel’s aphorisms

When he retired, Thümmel lived mostly in his castle in Nöbdenitz near Posterstein. In the countryside around the castle, Thümmel had a pleasure garden and a path along the lake invited the guest to dander. Friends of the family, as the Duchess Dorothea of Courland (1761–1821), who had her summer residence near-by in Löbichau castle, came to visit Nöbdenitz to sail on the lake and to enjoy the garden. Thümmel was member of the Duchess’ poets club and published several books with witty aphorisms.

Before his death Hans Wilhelm von Thümmel decided to get buried at an inconvenient place – under the so-called 1000 year old oak of Nöbdenitz. He bought the tree from the local church and let arrange a grave between the tree’s roots. The writer Emilie von Binzer (1801–1891), guest in Löbichau, met Thümmel when she was a young girl. She noted in her book “Three summers in Löbichau” (“Drei Sommer in Löbichau”) that Thümmel was old as the hills by the time she met him and that he had an old oak in standby state to be burried underneath.

View of the 1000 year old oak tree from 19th century (Museum Burg Posterstein)

Still burried under the 1000 year old oak tree

This grave was inspected in 1959 by the local teacher and historian Ernst Bräunlich. He documented that there was a small oratory with a wooden bench inside the hollow tree, to commemorate the dead. The minister’s body lies in a coffin parallel to the street. Today one can only look at the tree from outside. A sign tells its story. Only parts of the castle complex and garden outlived the years of the German Democratic Republic.

In connection to the Thuringian state exhibition on the Ernestiner family the museum Posterstein Castle shows an exhibition on Hans Wilhelm von Thümmel opening June, 26th. A book will be published as well.

By Marlene Hofmann / Museum Burg Posterstein

More information:
Exhibition from June 26th to October 30th
Thümmel in Nöbdenitz
The Duchess Anna Dorothea of Courland

Ask us everything you want: #AskACurator Day 2013 on Twitter

Veröffentlicht am 20. September 2013 von Museum Burg Posterstein21. Januar 2017

September 18th 2013: Under the hashtag #AskACurator Twitter users could ask curators of more than 600 museums in 35 countries questions about their exhibitions. Museum Burg Posterstein took part in it. – This is a review.

At Museum Burg Posterstein / Posterstein Castle (Twitter: @burgposterstein) both the museum’s director and Marlene Hofmann (curator of the permanent exhibition “Wehrhaft – Wohnhaft – Haft” on the function of the keep at a medieval castle in 2012) answered questions on behalf of the museum. Right from half past 9 in the morning Twitter users asking questions kept us busy.

Media work, museums & social media

The first questions asked were about social media and media work in our museum. – One of our favourite subjects. You find our answers here.

@BurgPosterstein wie begleitet ihr medial eure Ausstellung #Völkerschlacht #Napoleon-Karikaturen? Sind Fotos erlaubt? #askacurator
— Tanja Praske | Kultur-Museum-Talk (@TanjaPraske) September 18, 2013

(How do you monitor your Napoleon / battle of Leipzig exhibition in the media? Is it allowed to take pictures?)

@BurgPosterstein wie bewertet ihr die #SocialMedia für die Kulturvermittlung? PR, Austausch, Zielpublikum … #AskACurator
— Tanja Praske | Kultur-Museum-Talk (@TanjaPraske) September 18, 2013

(How do you rate social media in culture sector? PR, discussion, target groups…)

Tanja Praske is a German museum expert, writing very interesting blog posts on museums & social media. Next question came from another castle in the middle of Germany, not far away from Posterstein castle:

@BurgPosterstein Wie kommt es, dass ihr euch so um social-media bemüht und ansonsten die Thüringer Museumslandschaft kaum? #askacurator
— Schloss Friedenstein (@Friedenstein) September 18, 2013

(How come, you are one of the view Thuringian museums engaging in social media?)

Framing content and designing exhibitions

Then we had a longer debate with @friedenstein and @Beatrice078029 on designing exhibitions and framing content – huge questions, that we tried to answer as good as we could in 140 signs:

@BurgPosterstein @Friedenstein Bedenken Sie bei der Ausstellungsgestaltung, dass Sie mit Ausstellungen Wahrnehmungen von Kunst beeinflussen
— Beatrice Miersch (@Beatrice078029) September 18, 2013

(When designing an exhibition – do you have in mind that you influence the visitors view on art?)

@BurgPosterstein @Friedenstein Sprechen Sie damit auch ein breites Publikum an? Oder eher Fachbesucher?
— Beatrice Miersch (@Beatrice078029) September 18, 2013

(Do you address a bigger target group or experts with your exhibitions?)

@BurgPosterstein @Friedenstein Und wie haben sie diese unterschiedlichen Gegenstände gestalterisch zusammen gebracht?
— Beatrice Miersch (@Beatrice078029) September 18, 2013

(And how do you combine the different elements in your exhibition design?)

Beatrice asked a lot of more questions, too. In the end we decided that she had to write an e-mail to us!

The future of museums

Sebastian Hartmann, another German museum’s expert, who’s writing a popular museum blog, wanted to know about still bigger things – the future of museums:

Frage zum #AskACurator an ALLE mitmachenden Museen (D): "Wie sieht eure/Ihre Idee vom Museum der Zukunft aus?" Freue mich auf Antworttweets!
— Seb 🚀 2022 (@MuseumsHeld) September 18, 2013

(How is your idea of the future of museums?)

Are bloggers welcome at museums?

Yet another very interesting question came from Tanja Praske, who asked about how the museums dealt with bloggers:

An alle von #askacurator: Wie steht ihr #Museen zu #Bloggern? Geht ihr aktiv auf sie zu? Eigene Kontaktaufnahme, notwendiges Übel, Chance
— Tanja Praske | Kultur-Museum-Talk (@TanjaPraske) September 18, 2013

(How do you handle bloggers? Do you contact them personally? Do you see them as a burden or as an opportunity?)

And of course, for us – blogging ourselves – bloggers are an opportunity and a complement to local journalists – unfortunately we don’t know that many museum bloggers in our region (so don’t hesitate to contact us!).

To sump up,#AskACurator Day 2013 was a great experience for us as a museum and yet another example for how museums can engage with other people and possible future visitors via social media. We enjoyed it and are looking forward to next year’s Ask A Curator.

We collected all questions and answers in a separate story on Storify. – There you can read the detailed questions and answers, too.

P.S.: There will be a #AskACurator Day in 2014 as well, just look for the hashtag on Twitter. But until that, don’t hesitate to ask us via e-mail, comments, Twitter or Facebook.

(Marlene Hofmann)